This movie is a surprisingly good fresh take on superhero myths and an excellent parable about the scale of fury contained within a human being who has been abused as a child.
Your Correspondent, He will not instigate revolution
Irish theologian, Kevin Hargaden
This movie is a surprisingly good fresh take on superhero myths and an excellent parable about the scale of fury contained within a human being who has been abused as a child.
Your Correspondent, He will not instigate revolution
The complex emotional life of a horrible person rendered beautifully and interestingly to slightly less than critical acclaim.
Your Correspondent, Fluent in the “Pizza English”
The complex emotional life of rich people in Hawaii rendered simple and uninteresting to critical acclaim.
Your Correspondent, Also known as Papa Apoplectica
This fucking amazing film hammers home, yet again, that contemporary education systems make no mistake more commonly than to expose children to the works of William Shakespeare too soon and hence dampen their reception forever.
Your Correspondent, Is a very apoplexy, lethargy: mulled, deaf, sleepy, insensible
That which the science trusting John says “will be the most beautiful sight ever” turns out to destroy the world. Claire is obsessed with being happy and will spend any amount of money to achieve it on behalf of her little sister, Justine.
Justine is so utterly depressed that she can’t bring herself to bathe, to embrace her husband on her wedding night, or take the promotion offered to her at the advertising agency where she is a feted success. Yet he is the only one, who cries over her favourite meal, sobbing “it tastes like ashes” that is able to face the cataclysm when it comes.
This is so perfectly the anti-Tree of Life that it boggles the mind that it was made at the same time. It could easily be taken for a tedious bore. It deals with questions of what reality is for, if anything at all. But while Malick’s movie is about the dance of grace with her children, Von Trier’s movie is about the dance of death of a hostile universe, where “the earth is evil, we don’t need to grieve for it, no one will miss it”.
Justine’s childhood involved a love for Abraham, a horse, her steadfast companion. At marriage, she forskaes him for her husband, who promptly leaves her. He cannot fulfill her after all. He has become hard to maneuver and irrelevant. She must be shouted at to even take the horse out, she takes to beating him in her frustration.
Grace can still be found, in the flight and song of birds and the fall of blossoms but it means nothing. Abraham, family, marriage… nothing provides a framework that allows sense to be made.
In the middle of Tree of Life we see the violence that creates the world. At the end of Melancholia we see violence as the world is destroyed. In Tree of Life, the world is made new and harmony is achieved. In Melancholia, the world is destroyed and the illusion of harmony is finally obliterated. Only the Justines of the world could see life for what it is.
Your Correspondent, Super-gay horses are one of the signs of the apocalypse!
You know you are getting old when a movie that sets out to evoke how deadly it was to first kiss the girl you’ve fancied for ages as a teenager leaves you gleeful with reminiscent delight.
Your Correspondent, Don’t ask how, just know that he’s more powerful than ever
Listen, I tell you a mystery: We will all sleep, and we will all be changed– into godless fecking Commies.
Your Correspondent, He lives to suck another day.
I suspect this is the clearest depiction of the love of God in a mainstream movie since Gran Torino.
Your Correspondent, Thinks movies can be better than the books when they are so radically different
This is needlessly twee, features a prostitute with a heart of gold and yet is still a consistently amusing, well paced, excellently scripted buddy movie about the most hardcore weekend a smalltown insurance salesman could ever have.
Your Correspondent, Believes the separation between religion and insurance is in the constitution
Midnight In Paris is the best idea Woody Allen has ever had for a movie which makes it all the more disappointing that Midnight In Paris is a late-era Woody Allen movie.
Your Correspondent, Even Rachel McAdams is annoying when speaking Allen’s dialogue